Studio magazine is a leading art publication with a focus on contemporary artists of African descent. In its second decade, Studio continues to celebrate artists and inform audiences through thought-provoking essays, insightful conversations,
and more.
New Additions is a series of interviews with artists whose work was newly acquired in the Studio Museum's permanent collection. This conversation features artist Jadé Fadojutimi in discussion of her work There Exists a Glorious World. Its Name? The Land of Sustainable Burdens. You can read or listen to the conversation below.
2021–22 artist in residence Cameron Granger discusses community, architecture, and memory.
2021–22 artist in residence Qualeasha Wood discusses textiles, the haven of the internet, and iconographies of the self.
2021–22 artist in residence Jacob Mason-Macklin on Harlem light, looking closely, and "grace in existing as you are."
Jordan Jones writes about Leslie Hewitt’s series “Riffs on Real Time” and Sadie Barnette’s series of untitled drawings, which are held in the Museum's permanent collection, as a way to think about the word "possession."
New Additions is a series of interviews with artists whose work was newly acquired in the Studio Museum's permanent collection. This conversation features artist Jadé Fadojutimi in discussion of her work There Exists a Glorious World. Its Name? The Land of Sustainable Burdens. You can read or listen to the conversation below.
Fifty years after its founding, the Studio Museum remains at the forefront of institutions for artists of African descent, providing a haven for artists to create and see their work in, and be insp
New Additions is a series of interviews with artists whose work was newly acquired in the Studio Museum's permanent collection. This inaugural conversation features artist Tun
Read an exclusive excerpt from the publication Smokehouse Associates, in which the artist collective speaks with curator Ashley James.
In celebration of the seventieth anniversary of Ralph Ellison’s Invisible Man, The Studio Museum in Harlem, the Schomburg Center for Research in Black Culture, and Cave Canem commissi
In celebration of the seventieth anniversary of Ralph Ellison’s Invisible Man, The Studio Museum in Harlem, the Schomburg Center for Research in Black Culture, and Cave Canem commissi
