Hank Willis Thomas (b. 1976) is an interdisciplinary artist whose work explores consumer culture, identity, and race.
In his series “Unbranded,” Thomas uses appropriation as a tool to reclaim imagery from print advertising targeting African-American communities. He pulls from print campaigns spanning fifty years from 1968, a turning point for the Civil Rights Movement and the assassination of Martin Luther King Jr., to the election of the US’s first Black president, Barack Obama, in 2008. Thomas strips these advertisements of all text and brands through digital manipulation. This act pares the imagery down, reframing focus on the figure, once intended to sell products, and forces the viewer to confront intersections of race, gender, consumerism, and beauty.
In Who Can Say No to a Gorgeous Brunette? (1970/2007) from the “Unbranded” series, we see a female presenting figure, gazing both at and past the viewer. Their expression is focused and steadfast, framed by an immaculate afro and golden hoop earrings. The absence of text intensifies this image, creating a portrait that plays with notions of power, contradictions in media of representation versus consumerism, and forces us to reflect on cultural ideals of beauty.
In this lesson, individuals have the opportunity to explore concepts of race in consumer culture, notions of representation versus individual identity, and engage in an activity to reflect deeper on the work of Thomas.