Educational Resources

A Library in Harlem

Born in New Jersey in 1917, Jacob Lawrence grew up in Harlem in the 1930s, experiencing both the Great Depression and a historic period of cultural and artistic innovation lead by Black artists and intellectuals, the Harlem Renaissance. Harlem was an active cultural center and as a teenager, Lawrence became interested in the arts while attending an after-school program, where he drew simple geometric patterns and made diorama-type paintings from corrugated cardboard boxes.

<p>Jacob Lawrence, <em>The Schomburg Library</em>, 1986–87</p>

Jacob Lawrence, The Schomburg Library, 1986–87

At the Harlem YMCA, Lawrence met Charles C. Seifert, a Black, self-styled lecturer and historian who had collected a large library of African and African-American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African-American culture. Eventually Lawrence would spend hours in the library researching legendary Black figures and events to use in his paintings.


As the Great Depression worsened, Lawrence dropped out of high school to work and help support his family. By the late 1930s he took more art lessons at the Harlem Community Art Center and began painting his earliest Harlem scenes. His subject matter would expand to include the challenges endured by African Americans and the lives of important Black figures such as Harriet Tubman and Frederick Douglass. He also made several series of paintings about crucial events in the African American experience in the United States, such as the Great Migration from the South to the North.

<p>Carl Van Vechten (1880–1964), Jacob Lawrence, from the portfolio “‘O, Write My Name’: American Portraits, Harlem Heroes,” 1941</p>

Carl Van Vechten (1880–1964), Jacob Lawrence, from the portfolio “‘O, Write My Name’: American Portraits, Harlem Heroes,” 1941

Lawrence’s paintings express his lifelong concern with human dignity and freedom. His images portray the everyday reality, struggles, successes, and joys of African American life. His style is representational and combines vivid, often discordant tempera colors with a flattened, fragmented treatment of form and space. Lawrence said, “My pictures express my life and experience. I paint the things I know about and the things I have experienced.” Lawrence died in the year 2000.

Objective

Students will learn about the life of Jacob Lawrence and will discuss the importance of building a supportive community.

Guiding Prompts

After reading the introductory text and looking at the artwork reproduction, think about:

  • How reading became important for Jacob Lawrence
  • The kind of community Lawrence found in Harlem
  • The choice of historical events and figures as subject matter for his paintings

Art Project

Think about a place where you enjoy spending time. How do you remember it? What colors would you use to depict it? Follow the suggested prompts to create your own version of this place.

Materials

  • 9 × 12-inch paper for sketching
  • 9 × 12-inch Bristol board for final project
  • Pencil and eraser
  • Black marker
  • Colored pencils and markers
  • Red, blue, and yellow acrylic paint
  • Small and medium paintbrushes
  • Paper towels

Procedure

  1. Sketch the place you want to make on the paper with pencil. Add details and review.
  2. Place the paper over the Bristol board and trace over it. Press hard enough to leave an imprint on the board.
  3. Lift the paper and choose one or two colored pencils or markers to color the background. Then fill the tracing with black marker. Add details if necessary.
  4. Choose two different brushes and colors to paint over the rest of your picture. Consider the angle and speed of application.
  5. Let your artwork dry.

Vocabulary

Diorama


A scenic, three-dimensional representation in which sculptured figures and lifelike details are displayed, usually in miniature, so as to blend indistinguishably with a realistic painted background.


Drop out


To withdraw from participation or membership, to quit; to withdraw from high school or before completing a course.


Expand


To increase the extent, number, volume, or scope of; to express at length or in greater detail.


Historian


An expert in history; a writer of history, a chronicler


Legendary


Of, relating to, or characteristic of legend or a legend; well known, famous.


Migrate


To move from one country, place, or locality to another.


Struggle


To proceed with difficulty or with great effort; to make strenuous or violent efforts in the face of difficulties or opposition.


Tempera


A type of paint made by mixing colored pigments with a water-based material such as egg yolk.


Treatment


Something (such as a product or technique) used in treating, enhancing, or improving the performance, condition, or appearance of a person or an object.

Opening Questions

After reading the text, answer the following questions:

  • Where did Lawrence learn about art and history when he was young?
  • What was a message he wanted to convey in his paintings?
  • Whom did he chose to paint in his portraits? Why do you think he chose them?
  • Describe the artwork: What is happening? What kind of place is this? What kind of colors is Lawrence using? How would you describe the style of the objects and figures in the print?

Match the words on the left with their synonyms on the right

Crucial


Discordant


Endure


Flattened


Fragmented


Lifelong


Representational


Vivid


Worsen

experience, suffer, go through


broken, fractured, shattered


bright, colorful, lively


aggravate, deteriorate, damage


important, significant, decisive


flat, even, smoothed


continuing, long-lasting, permanent


dissonant, contradictory, different


authentic, graphic, figurative

Answer Key

Crucial: important, significant, decisive


Discordant: dissonant, contradictory, different


Endure: experience, suffer, go through


Flattened: flat, even, smoothed


Fragmented: broken, fractured, shattered


Lifelong: continuing, long-lasting, permanent


Representational: authentic, graphic, figurative


Vivid: bright, colorful, lively


Worsen: aggravate, deteriorate, damage

Closer Observation

Take a closer look at the print and spend some time observing and noticing details:

  • How would you describe the way the people look?
  • What do you imagine a day at this place is like?
  • What kinds of books do you think there are in this part of the library?

Reflection

Think about a place or places, other than school, where you go to learn about new things, and then write a paragraph or two about it or them. How did you learn about the place(s)? What do you like about it or them? What is the atmosphere like? Who goes there?

Video

Click on the link below to learn about the Schomburg Center for Research in Black Culture. The video was made for its ninetieth anniversary. Consider how it impacted Lawrence when he was going there in the 1930s. Watch the whole video once, and if there are any words you didn’t understand watch it again with the closed captioning turned on.


https://www.youtube.com/watch?v=RI-_Ypgtw9Y


If you need more context, look up Harlem, the YMCA, the Great Depression, or the Harlem Renaissance to find out more about these places and this time period.


For additional practice, watch a second video about one of Lawrence’s series. Consider the historical events that informed these paintings. Watch the whole video once, and if there are any words you didn’t understand watch it again with the closed captioning turned on.


https://www.youtube.com/watch?v=ivDIA0QHHJs