Exhibition Regarding the Figure

Lorraine O'Grady
Sisters III (from the “Miscegenated Family Album”), 1980/1994
Silver dye bleach photographs (Cibachrome), 26 × 37 in.
The Studio Museum in Harlem; gift of Peg Alston 2010.19.3a–b
Courtesy Alexander Gray Associates, New York ©2017 Lorraine O'Grady / Artists Rights Society (ARS), New York

Geoffrey Holder
Portrait of a Woman; Essence of Dignity, c. 1980
Colored pencil on paper, 24 × 30 in.
The Studio Museum in Harlem; gift of Maurice C. and Patricia L. Thompson, Connecticut 2003.12.4
Photo: Marc Bernier

Barkley L. Hendricks
Lawdy Mama, 1969
Oil and gold leaf on canvas, 53 3/4 × 36 1/4 in.
The Studio Museum in Harlem; gift of Stuart Liebman, in memory of Joseph B. Liebman 1983.25
©Barkley L. Hendricks. Courtesy of the artist and Jack Shainman Gallery, New York.

Zanele Muholi
Bona, Charlottesville, 2015
Gelatin silver print, 35 1/4 × 24 in.
Studio Museum in Harlem; Museum purchase with funds provided by the Acquisition Committee 2015.26
Photo: Zalika Azim

Eldzier Cortor
The Room, 1949
Oil on Masonite, 8 1/16 × 10 in.
The Studio Museum in Harlem; gift of Katrina McCormick Barnes 1971.1
Photo: Marc Bernier

Lorraine O'Grady
Sisters III (from the “Miscegenated Family Album”), 1980/1994
Silver dye bleach photographs (Cibachrome), 26 × 37 in.
The Studio Museum in Harlem; gift of Peg Alston 2010.19.3a–b
Courtesy Alexander Gray Associates, New York ©2017 Lorraine O'Grady / Artists Rights Society (ARS), New York

Geoffrey Holder
Portrait of a Woman; Essence of Dignity, c. 1980
Colored pencil on paper, 24 × 30 in.
The Studio Museum in Harlem; gift of Maurice C. and Patricia L. Thompson, Connecticut 2003.12.4
Photo: Marc Bernier

Barkley L. Hendricks
Lawdy Mama, 1969
Oil and gold leaf on canvas, 53 3/4 × 36 1/4 in.
The Studio Museum in Harlem; gift of Stuart Liebman, in memory of Joseph B. Liebman 1983.25
©Barkley L. Hendricks. Courtesy of the artist and Jack Shainman Gallery, New York.

Zanele Muholi
Bona, Charlottesville, 2015
Gelatin silver print, 35 1/4 × 24 in.
Studio Museum in Harlem; Museum purchase with funds provided by the Acquisition Committee 2015.26
Photo: Zalika Azim

Eldzier Cortor
The Room, 1949
Oil on Masonite, 8 1/16 × 10 in.
The Studio Museum in Harlem; gift of Katrina McCormick Barnes 1971.1
Photo: Marc Bernier

Regarding the Figure

April 20August 6, 2017

Regarding the Figure presents works from The Studio Museum in Harlem’s permanent collection that explore the practice of portraiture and figuration as a means of celebrating personal and collective histories, ideas and identities. Ranging in date from the late nineteenth century to the present, and representing some forty artists from Henry Ossawa Tanner (1859–1937) to Njideka Akunyili Crosby (b. 1983), the works present diverse and at times unexpected methods of figuration, from the traditional (the portrait bust) to the experimental, and show subjects who come from the realms of both the celebrated and the anonymous. More than fifty paintings, drawings, photographs, works on paper and sculptures attest to the power that can come from representing the black body and the responsibilities that may attend these representations.

Regarding the Figure is organized by the curatorial team of Eric Booker, Connie H. Choi, Hallie Ringle and Doris Zhao.

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