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Hurvin Anderson

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

Peter’s Series 2007–2009

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Hurvin Anderson

Peter’s 2, 2007
Oil on canvas, 73 5/8 x 57 7/8 in.
Lodeveans Collection, London
 

Hurvin Anderson
Barbershop, 2007
Acrylic on paper

13 9/16 x 10 15.16 in.
Courtesy Private Collection, San Francisco

Hurvin Anderson
Peter’s Series: Attic, 2007
Acrylic and collage on paper

13 7/16 x 10 3/16 in.
Private Collection, Los Angeles, Courtesy of Anthony
Meier Fine Art, San Francisco

Hurvin Anderson
Peter’s Cobalt Blue Collage, 2007
Acrylic and collage on paper

19 3/4 x 15 7/8 in.
Courtesy Timothy Whealon Inc.

Hurvin Anderson
Peter’s Sitters 2, 2009
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Zabludowicz Collection, London

Hurvin Anderson
Peter’s Series: Back, 2008
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Fern and Lenard Tessler

Hurvin Anderson
Peter's Series: Sequel, 2008
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Collection of Karen and Brian Conway

Hurvin Anderson
Peter’s (Pioneer) IV, 2007
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Collection of Guy and Alexandra Halamish

Hurvin Anderson
Peter’s 1, 2007
Oil on canvas

73 5/8 x 55 7/8 in.
Courtesy Government Arts Collection, London

Hurvin Anderson
Peter’s 3, 2007
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Private Collection, London

Hurvin Anderson
Barbershop – Mirrors, 2006
Acrylic on paper

6 5/16 x 8 3/4 in.
Courtesy Michael Ostin

Hurvin Anderson

Barbershop 1, 2006
Acrylic on paper, 19 1/4 x 16 5/16 in.
Collection of Bridgitt and Bruce Evans
 

Peter’s Series 2007–2009

Hurvin Anderson

Peter’s 2, 2007
Oil on canvas, 73 5/8 x 57 7/8 in.
Lodeveans Collection, London
 

Peter’s Series 2007–2009

Hurvin Anderson
Barbershop, 2007
Acrylic on paper

13 9/16 x 10 15.16 in.
Courtesy Private Collection, San Francisco

Peter’s Series 2007–2009

Hurvin Anderson
Peter’s Series: Attic, 2007
Acrylic and collage on paper

13 7/16 x 10 3/16 in.
Private Collection, Los Angeles, Courtesy of Anthony
Meier Fine Art, San Francisco

Peter’s Series 2007–2009

Hurvin Anderson
Peter’s Cobalt Blue Collage, 2007
Acrylic and collage on paper

19 3/4 x 15 7/8 in.
Courtesy Timothy Whealon Inc.

Peter’s Series 2007–2009

Hurvin Anderson
Peter’s Sitters 2, 2009
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Zabludowicz Collection, London

Peter’s Series 2007–2009

Hurvin Anderson
Peter’s Series: Back, 2008
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Fern and Lenard Tessler

Peter’s Series 2007–2009

Hurvin Anderson
Peter's Series: Sequel, 2008
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Collection of Karen and Brian Conway

Peter’s Series 2007–2009

Hurvin Anderson
Peter’s (Pioneer) IV, 2007
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Collection of Guy and Alexandra Halamish

Peter’s Series 2007–2009

Hurvin Anderson
Peter’s 1, 2007
Oil on canvas

73 5/8 x 55 7/8 in.
Courtesy Government Arts Collection, London

Peter’s Series 2007–2009

Hurvin Anderson
Peter’s 3, 2007
Oil on canvas

73 5/8 x 57 7/8 in.
Courtesy Private Collection, London

Peter’s Series 2007–2009

Hurvin Anderson
Barbershop – Mirrors, 2006
Acrylic on paper

6 5/16 x 8 3/4 in.
Courtesy Michael Ostin

Peter’s Series 2007–2009

Hurvin Anderson

Barbershop 1, 2006
Acrylic on paper, 19 1/4 x 16 5/16 in.
Collection of Bridgitt and Bruce Evans
 

Jul 16Oct 25, 2009

The Studio Museum in Harlem presented the first solo U.S. museum exhibition of the work of London-based artist Hurvin Anderson in 2009.  Born in 1965 in Birmingham, United Kingdom to parents of Jamaican descent, Anderson engages the formal traditions of landscape painting and abstraction. Through his paintings, he explores his own relationship to the Caribbean through depictions of complex, personal spaces and memory.

Continuing Anderson’s fascination with and exploration of places imbued with social history, meaning and memory, Hurvin Anderson: Peter’s Series 2007-2009 presented seven paintings and nine works on paper. These works re-imagine spaces created by Caribbean immigrants during the 1950s and 1960s. At that time, barbershops and other places for personal services often were opened in people’s homes and functioned as sites for both social gatherings and economic enterprise. These shop owners and their customers were among a significant wave of immigrants to the United Kingdom from the Caribbean Commonwealth countries after World War II. The barbershop was not only a place to get a haircut, but also a social space in which to meet and talk with one’s friends and neighbors.

For Anderson, the barbershop functions as a personal space loaded with imagery, and also houses intertwined political, economic and social histories. “Peter’s Series” takes as its subject one of the last-known of these spaces—a small attic that was converted into a barbershop where the artist’s father went for haircuts. Finding the space both complex and ambiguous, Anderson explored the technical exercise of recreating it many times. At first intrigued by the physical features of the attic, Anderson focused on the architecture of the room in early paintings, providing multiple perspectives of the space, like a series of portraits. Working from photographs, memory and imagination, Anderson painted and repainted the space, and even repainted a painting of it, continually reducing the interior architecture to its basic colors and simple geometric forms. In later paintings, he centralizes an anonymous figure in the barber’s chair, further negotiating between functional space and shared experience, while also providing a voyeuristic glimpse of a private moment.

Anderson studied at the Wimbledon College of Art and the Royal College of Art in the United Kingdom. His first solo gallery show was in 2003 and in 2006 he was the artist in residence at Dulwich Picture Gallery in London. Early in 2009, Anderson had his first solo museum show at the Tate Britain.

Organized by Thelma Golden, Hurvin Anderson: Peter’s Series 2007-2009 continues the Studio Museum’s commitment to the presentation of new work by international artists of African descent, in solo presentations of work by artists such as David Adjaye, Meschac Gaba, Isaac Julien, Chris Ofili and Yinka Shonibare, MBE, and in group exhibitions such as Africanne (2002), Africa Comics (2006) and Flow (2008).

Hurvin Anderson: Peter’s Series 2007-2009 is supported, in part, by a grant from The Horace W. Goldsmith Foundation.

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