She deploys the fold, concealment, and repetition within her work as tactics of conceptual abstraction, which posits Black interior life as a central site for Black resistance. She holds a BA in art history from the University of North Texas; a Modern Art: History, Curating and Criticism MSc from the University of Edinburgh’s Edinburgh College of Art; and an MFA in studio art, with a critical theory emphasis, from the University of California, Irvine. She is an alumna of the Whitney Museum of American Art’s Independent Study Program (2019–20).