AfriCOBRA: Art for the People: TV Land Special | Sunday February 27th at 8 pm ET/PT
Forty-one years after their first exhibition at the Studio Museum, AfriCOBRA still brims with ‘expressive awesomeness’!
Studio Magazine is the leading magazine with a focus on artists of African descent locally, nationally, and internationally. The publication, well into its second decade of circulation, appears in print biannually and is updated here.
Forty-one years after their first exhibition at the Studio Museum, AfriCOBRA still brims with ‘expressive awesomeness’!
Is it possible to locate the interior language of these longings? Are the locations of desire found in the waiting, the reunion or the exact moments before the embrace?
Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists will be on view through May 29 at The Bronx Museum
Henry Ossawa Tanner and his Contemporaries will be on view through February 27 at The Des Moines Art Center.
In August 1964, Harper’s Magazine published a 1948 essay by Ralph Ellison called “Harlem is Nowhere,” in which he writes: “The phrase ‘I’m nowhere’ expresses the feeling borne in upon many Negroes that they have no stable, recognized place in society. One’s identity drifts in a capricious reality in which even the most commonly held assumptions are questionable. One ‘is’ literally, but one is nowhere; one wanders dazed in a ghetto maze, a ‘displaced person’ of American democracy.” Separate from the social and economic changes taking place in Harlem, Ellison was interested in contextualizing its “psychological character.”
This week guest blogger Matana Roberts, our current StudioSound artist, shares some of her favorite music!
Need to do some last minute holiday shopping? Head Uptown to the Studio Museum Store to find the perfect gift for everyone on your list!
Russell Simmons, Nick Cannon and Lupe Fiasco are famous faces who are pretty used to the perennial limelight—and if Simmons’s new reality show Running Russell Simmons is any indication, that limelight has only shifted to a consistently 24/7 level. On the evening of December 6th, the three celebrities sat down on a stage of perhaps a different sort than they’re accustomed to, in the gymnasium of our neighbor down the street, the Harlem Children’s Zone. They were participating in a community town hall meeting and discussion called Black Male Re-Imagined, along with John O’Neal of theater company Junebug Productions; Ann Beeson, Executive Director of U.S. Programs, Open Society Foundations; Alexis McGill Johnson, Executive Director of American Values Institute; and Jordan Coleman, teenage director of the documentary “Say It Loud.”In the wake of evidence that brings new urgency to the troubling proficiency gaps between young male students of color and white male students, the panel strove to discuss how art and culture can advance social justice.
Months after the earthquake that shook Haiti leaving its capitol city in shambles, and now giving way to an outburst of cholera, we published in Studio magazine a section dedicated to the country and its recent misfortune. Alongside an excerpt from acclaimed Haitian author Dany Laferriere and a photo essay documenting the artisan community of Croix-des-Bouquets, Madeleine Hunt-Ehrlich contributed images and a reflective essay centering on the country’s diaspora, both here in New York and in Miami’s Haitian enclave, Little Haiti.